Conversations

There was an unnatural calm in the cubicle as RK, KB and me were punching through the keyboard. And like little red riding hood, a girl jaunted past us in red track-suit-like garb. Needless to mention here that the big bad wolves in the cubicle got distracted from their work.

Me: lagtaa hai gym se aayi hai seedha.
KB: Gym, hmm. (sigh!)
Me: Hey RK, tu gym gaya tha aaj?
RK: Nahi. 1 week se nahi gaya.
Me: Gym join karke 10 din hi toh huay hai!
RK: (with an unconvincing smirk) Kal jaaunga.
Me: and you, KB?
KB: (amidst roaring laughter) méré toh chaar hazaar hee barbaad huay hai, iské toh gyaarah hazaar doob gayé.

The process

I have been a couch potato today. My TV remote has been praying for a break from the constant punching and the plastic crunching. (Yes, like a true Indian, my remote has not come out of the plastic bag it was packed in.) I watched cartoons, reality shows, movies, news, music videos, cricket highlights and lots of advertisements.

I watched Amar Akbar Anthony and Taken for the I-don't-know-how-many-th time. I have always known what their ends would be. I mean, a family who separates at the beginning of the film has to re-unite before the film ends. The point to be noted my lord is that it is more about the process of reaching the end. In the same vein, I don't care if cricket matches are fixed or not. I am going to still keep watching the game and enjoy the process.

So, COME ONNN SAACHINNNN ... COME ON DHONIiiiii... lights, camera, roll sound, ACTION.

Vaanar sena

... and then there is a group of jokers who add on to the proofs that they have nothing better to do than go on causing destruction because some movie calls their city Bombay instead of Mumbai. Where were they and where was their love for the city when it was attacked by terrorists or when it was flooded with water. The hooliganism shows even in their annual Ganesh festival mandaps where they block roads in the evenings for putting up a stage where crowd assemble waiting for the speech to finish and the cacophonous musical orchestra to start. I have not heard of even one constructive activity that the Shiv Sena has done in the past 5 years.

Mumbai calling

Ahh Mumbai. My place. My people.

The people in Mumbai are an emotional lot. Bollywood and TV ads plays a vital role in everyone's life in Mumbai. There has not been one day when I have not heard someone quote a Bollywood hero/ heroine or an advert slogan.

An uncle pulling out a chocolate from his pocket for a kid would inadvertently back it up with a dhan-ta-dhan (a la Kameeney) while handing it over.

Occassionally at a lunch table in the office, someone would come up with 'tere paas burger hai, tere paas lunch thaali hai. Mere paas kya hai? Mere paas maa hai.' and then opens his home made lunch box.

Of birthdays

It is was the sister's birthday. Every year, I tell her that she shares birthday with Michael Jackson and Dhyanchand. The latter being the great hockey player and captain of the Indian team, who brought gold medal and pride to the nation. While even Google paid homage to the pop star today, I wonder there was any mention of the hockey player on the 24 hour news channels in India. But that is a different debate left to the purists.

Radio (2009)

Himesh music is back after a long time.

His new movie Radio does not appear on imdb.com! The music has just released at Lalbagcha Ganpati pandaal. The album is very unlike the usual Himesh... maybe because it misses the nasal twangs. Rumour is that Himesh has undergone a surgery of the vocal chords. The result is that all the tracks are softer and very light... and on a couple of occassions - uncomfortable. 'Shaam ho chali hai' even has a very audible amateurish jump in the voice. There are glimpses and traces of the old Himesh in the remix version of 'Zindagi jaise ek Radio'.

All tracks, except Kailash Kher's 'Damadji' are catchy tunes. But, the Mumbai rickshaws are going to be disappointed as this is definitely not a 'Tere Naam' or 'Aksar'. Perhaps, the usual T-series ploy of hammering the songs on all music channels might help this one get on the humming-of-the-day lists.

Comin' Age

Kaminey

The critics had been all ga-ga over this new movie from the maker of Maqbool, Makdi, Omkara - Vishal Bhardwaj - the one man movie machine. He features in all the major departments for this film (strictly in order of recollection only) - music, direction, story, screenplay, dialogues, singing.

Starring:
Shahid Kapoor, Priyanka Chopora, Amole Gupte

This is a gangster movie highlighting a day in the life of twin brothers (Shahid Kapoor) - Charlie and Guddu. The former is a gangster who wants to earn money to become a horse race bookie and the latter is a student working for an NGO. Sweety (Priyanka) is Guddu's love interest and the sister of a crook, Bhau Bhope (Amol Gupte) aspiring to be politician. Charlie stumbles upon drugs worth 10 crore. Expectedly, there is a case of mistaken identity and more gang fights. Everything culminates into a happy ending.

Pros:
- Filmed in Mumbai (and Gujarat, probably)
- A fresh style of story telling. Reminiscent of Quentin Tarantino and Guy Ritchie.
- A fair importance given to all the characters. Strong characterisations.
- This film has dialogues in bengali, marathi, english, african and yet, no subtitles. No time is spent in romance between the Guddu and Sweety. The audience is not expected to be dumb.

Cons:
- Cannot think of any!
- Did not understand the NGO angle to the Guddu character. Did I miss something?

I had earlier read somewhere that the story has been borrowed from a short story based in Kenyan slums. That story was by Cajetan Boy, who has been given due credit at the start of the movie. The Rs.44 crore spent on the movie includes his 2 lakhs fee. Vishal Bhardwaj met him at the Mira Nair's workshop (MAISHA) and so, the movie starts with credit to the workshop, as well. Additionally, the Kenyan diamond/ drug smuggler has been named 'Cajetan', too.

Amol Gupte was last time associated with the screenplay for 'Taare Zameen Par'. He debuts as an actor this time. Coincidentally, the lead characters in both these hits have had a medical condition.

I found a scene very funny. 'Tashi' enters Bhope Bhau's ilaaka with all the style of a king. He has a hat on his head and walks chest high, chin high along with his 3 side kicks. Suddenly, they hear a bullet shot and all of them meekly disperse away.

'Do lafzon ki' (The Great Gambler) and 'Duniya mein logon ko' (Apna Desh) are 2 old songs that play in the background. The latter is only for an exhibition of Shahid's oiled physique. Check the 'Making of...' for details on that one. But this should be enough to revive the songs in the remix club houses. Bhau Bhope's mobile ring tone is a hit a marathi film song - Kombdi. Watch out for a remixed video.